Lowell is an independent scholar who translates and researches the entire breadth of Tibetan literature, from the ancient Dunhuang manuscripts to contemporary poetry. He completed his MA in Translation, Philology, and Textual Interpretation at the Rangjung Yeshe Institute in Nepal. He is the author of Tibetan Pure Land Buddhism and translator of Sangak Tenzin’s A White Conch Spiralling Toward Happiness: Poems of a Tibetan Master. His translations and writings have appeared on 84000: Translating the Words of the Buddha, High Peaks Pure Earth, The Los Angeles Review of Books’ China Channel, Lotsawa House, and other venues. 

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Dr. Rachael Griffiths holds a DPhil in Oriental Studies from the University of Oxford, with a thesis on the autobiography of Sumpa Khenpo Yeshe Paljor. Her research interests include life writing, monastic and intellectual networks, and Sino-Tibetan-Mongolian relations in the early modern period.

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Dr. George FitzHerbert currently teaches Tibetan Language, History and Literature at the University of Oxford (until 2022). He is also a member of the ERC-funded TibArmy research team based in Paris. He completed his DPhil on the Tibetan Gesar Epic in 2008 and his research spans various issues in Tibetan cultural and religious history. He has also worked as a journalist for the BBC and as a freelance researcher and ghostwriter.

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Patrick Dowd is a PhD Candidate in the Department of Anthropology at the University of British Columbia. His research focuses on the culture of Tibetan language within the world of Tibetan Buddhism. His essays have been published by Tricycle, Lion’s Roar, and Buddhadharma, and his translations have appeared on Lotsawa House. Prior to beginning his doctoral work, he spent several years studying, researching, and collaboratively working with Tibetan communities in India, Nepal, and Tibet.

Rinzin was born in Tibet and studied at a Tibetan refugee school in India. He received his MA in philosophy from Delhi University. During his time at the university, he also got the opportunity to study Tibetan Buddhism and art. In 2018 he participated in a three-month intensive translation workshop conducted by the Library of Tibetan Works and Archives. He is currently working as a freelance translator and continuing with his ngöndro practice (a preliminary practice in Tibetan Buddhism). Rinzin is also a self-taught pencil portrait artist and loves sketching in his free time. 

Michael is a professional Java Developer, as well as Full Stack Developer with experience in HTML, CSS, JavaScript, MongoDB, SQL.

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He also has a great interest in Tibetan Language and Culture. In 2019, he graduated from the University of Oxford as a Master of Philosophy in Tibetan and Himalayan Studies. For his Master’s thesis, Michael conducted research on the practice of Dream Yoga in Bon in comparison with Tibetan Buddhist traditions.

In addition to holding a bachelor's degree in science, Yeshe Khandro is a Buddhist nun who has completed over twenty years of Buddhist teacher training. Editing for accuracy of meaning in translation was a major part of her job during much of this time. More recently, she has begun to produce some short translations in her spare time.

Nicole Willock (Ph.D. in Tibetan Studies and Religious Studies, Indiana University 2011) is an associate professor of Asian Religions at Old Dominion University in Norfolk, Virginia. Dr. Willock’s research examines the intersections between Tibetan literature, Buddhist modernism, moral agency, and state-driven secularization projects in twentieth-century China. Her book Lineages of the Literary tells the story of how three Tibetan polymaths in the People’s Republic of China: Tséten Zhabdrung (1910–1985), Mugé Samten (1914–1993), and Dungkar Lozang Trinlé (1927–1997) crisscrossed religious and secular domains to revive Tibetan culture in the post-Mao era. She serves as co-chair of the Tibet and Himalayan Religions Unit of the American Academy of Religion.

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In addition to teaching Spanish, following the completion of her Spanish as a Foreign Language Teacher (ELE) at the University of Nebrija, Marlevis is a collaborative content writer for websites and blogs. Closely holding discipline and dedication to her heart has helped her martial arts practice and language acquisition, leading her to study Japanese at the University of Havana. She followed this by earning a Bachelor's Degree in East Asian Studies at the Autonomous University of Barcelona (UAB) and studying Sanskrit Language and Literature Studies (University Extension Course) at the University of Barcelona (UB). Inspired by Buddhist philosophy, Marlevis started studying the Tibetan language with Tibetan teachers and then continued with Easy Tibetan's online courses. In her free time, she loves to make origami and enjoy nature.

Barbara Hazelton has a BA in Fine Art History, MA in Buddhist Studies, and is a Ph.D. Candidate at the University of Toronto. Her dissertation topic is on the Tibetan King Gesar of Ling Tibetan epic, focusing on its oral tradition and the singers of the tale, the epic bards. She has taught several courses at the University of Toronto and presently the collaborative program with New College. Her background in Tibetan visual imagery and ritual is based on studying with Tibetan scholars and ritual specialists as well as many years of meditation instruction and experience under great Tibetan Buddhist masters. She is a practicing artist training in the Karma Gadri painting tradition. A particular interest of hers is the sacred landscape of Tibet as the confluence of the imaginative world of landscapes, structures, rituals, pilgrimage routes, and literature. She is inspired by the popular genre of the liberation stories (rnam thar), particularly the female models of enlightened activity exemplified by the great realized female practitioners called yoginīs, such as Yeshe Tsogyal and Niguma.  

Joseph McClellan received a Ph.D. from Columbia University’s Department of Religion. He then taught at colleges in the US, Bangladesh, Myanmar, and Bhutan. He now lives in SE Asia focusing on translation and writing.

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Shengnan Dong is a Ph.D. candidate in the Department of History of Art and Archaeology at SOAS, London. She studies Buddhist art and architecture with a particular focus on depictions of mandalas and monumental multi-chapelled stupas built in central Tibet during the 12-15th centuries. Shengnan is also interested in the constructed sacred spaces at Buddhist sites across Central Asia and Northern China, as well as pictorial representation of landscape, cosmos and heavenly realms in the Buddhist context. Prior to her doctoral studies, she worked professionally as a photographer, illustrator and film editor.