A short Dzogchen song of realization by Śākya Śrī, in which the master points to the natural liberation of all experience within the expanse of dharmatā.
Song of the Dharma Dance draws on the imagery of Tibetan ritual cham dance to guide an assembly of vajra siblings through successive Dzogchen contemplative instructions toward the recognition of great awareness-emptiness.
A mgur of direct “pointing out” in which Sera Khandro dismantles every support of the path, revealing the already-complete unity of emptiness and luminosity.
These five aphoristic couplets by Nyagla Pema Dundul use vivid images of natural impossibility to show that pride, confusion, and distraction obstruct liberation, emphasising that knowledge must be integrated into lived experience.
Sera Khandro sang this song at the age of eleven, a month after her mother’s death, following an encounter with a white vulture she recognised as the soul-bird of a ḍākinī.
An opening homage to the Three Roots, invoking the full refuge assembly, gurus, deities, ḍākinīs, and protectors—as they arise from the expanse of the dharmadhātu and carry out enlightened activity.
At the moment of his death, the First Dodrubchen Jigme Trinle Özer sings of his conscious dissolution into each of the five buddha wisdoms, before closing with final instructions to his heart student Do Khyentse Yeshe Dorje.
This spontaneous song was composed by Lelung Zhepe Dorje (1697–1740) at Gyala in Kongpo in 1729, at the moment of departure from a gathered assembly of pilgrims and patrons on the threshold of the hidden land of Pemokö.
The Outer, Inner, and Secret Practice Cycle of Zhepe Dorje
This text presents the outer, inner, and secret practice cycles of Zhepe Dorje, transmitted by Lhachik Nyima Zhönu—a protector deity revealed through pure vision—in 1730 and recorded in 1731.
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