A Madman’s Meditation Experiences: A Song from Labchi

Emaho!
Victorious Hevajra is
One’s own mind—primordially pure.
Neither empty nor non-empty—
It abides in a state free from elaboration.
That self-arising primordial wisdom, without elaboration,
I’d not recognised it before—while meditating on the path;
I’ve come to understand this was delusion meditating on delusion.
Now being free from the meditating intellect,
When I wish to meditate, meditation is obscured by meditation itself.
But with the great realisation of nonmeditation, everything dawns as meditation—
While ordinary beings are fettered by wisdom itself—
For the yogi, the five poisons arise as ornaments.
The ultimate nature of phenomena, beyond arising and cessation,
The learned don’t understand it, so I asked the simple-minded—they know not either!
I questioned the corpses in the charnel grounds;
What they explain is the ultimate nature of phenomena.
These are a madman’s meditation experiences in the snowy mountains of Labchi.
Evaṃ, written down in words—how wonderful!
Evaṃ
COLOPHON
None
NOTES
[1] “A Madman’s Meditation Experiences: A Song from Labchi” is a title supplied by the translators since this “song,” or doha, is untitled in the Collected Songs of Tsangnyön Heruka, sung at the sacred Kagyu hermitage of Labchi.
BIBLIOGRAPHY
Tsangnyön Heruka (gtsang smyon he ru ka rus paʼi rgyan can). rje btsun gtsang smyon he ru kas la phyi nas blangs pa’i nyams mgur. In gtsang smyon he ru kaʼi mgur ʼbum, 1 vol., 1, compiled by Godtsangpa Natsok Rangdröl (rgod tshang pa sna tshogs rang grol). BDRC MW4CZ1248.
Abstract
“A Madman’s Meditation Experiences: A Song from Labchi”[1]—a title supplied by the translators—is an untitled doha drawn from the Precious Collected Songs of the Jetsun Tsangnyon Heruka, sung in Labchi. Arising within the context of a teaching encounter following the bestowal of empowerment and instruction to his heart-disciple, the song unfolds through a series of striking reversals: Tsangnyön speaks of confused meditative striving—delusion upon delusion—through the recognition of self-arising wisdom, free from elaboration, to the realisation of nonmeditation, in which all experience dawns as meditation and the five poisons arise as ornaments. The song culminates in one of Tsangnyon’s most arresting images: the learned cannot explain the ultimate nature of phenomena, the simple cannot, but the charnel ground corpses can. An expression of Mahāmudrā realisation in the doha tradition.
LISTEN TO AUDIO
TRADITION
Marpa Kagyu
CLAN
Nyang
HISTORICAL PERIOD
14th Century 15th Century
TEACHERS
TRANSLATOR
Tib Shelf
INSTITUTIONS
AUTHOR
Tsangnyon Heruka