Types of Spiritual Songs

Generally speaking, there are many kinds of spiritual song.
There are songs of spontaneously arisen herukas, which gladden the heroes and ḍākinīs. There are the dohās of the siddhas, which directly reveal the wisdom of realisation. There are songs of calling the guru from afar, which stir the guru’s mindstream when devotion and compassion effortlessly arise.
There are yogins’ songs of experience, which freely express whatever arises once experience has truly taken hold. There are joyful songs of realisation, which emerge when the power of experience and realisation comes forth. There are songs of mastery over appearances, which arise when one knows no fear whatsoever.
There are songs of a mind at ease, carefree and open, born of practice carried through without regret. There are contrived songs in which intellectual understanding and experience become intermingled. There are songs of the equality of saṃsāra and nirvāṇa, which arise upon realising all things to be equal.
And there are many other kinds besides these.
Among them, yours is a fine yogin’s song of experience. I rejoice in it.
May virtue abound!
COLOPHON
None
BIBLIOGRAPHY
Gzhan phan chos kyi snang ba. 2004. mGur dbyangs kyi rnam grangs bstan pa. In gSung 'bum/ gzhan phan chos kyi snang ba. rDzong sar khams byeʼi slob gling, vol. 6, pp. 369–370. BDRC W1PD2074
Abstract
Khenpo Shenga offers a lively overview of the many forms a spiritual song can take, from songs of devotion and realisation to spontaneous expressions of meditative experience and much more besides. At its heart, the passage shows how such songs arise directly from the changing inner life of the practitioner.
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TRADITION
Nyingma
Sakya
HISTORICAL PERIOD
19th Century
20th Century
TEACHERS
TRANSLATOR
Tib Shelf
INSTITUTIONS
STUDENTS
The Ninth Gangkar Lama, Karma Shedrub Chokyi Sengge
ngag dbang mkhyen brtse nor bu
mu ra sprul sku 04 pad+ma nor bu
The Second Dzongsar Khyentse, Jamyang Khyentse Chokyi Lodro
khams gsum zil gnon dgyes pa rdo rje
The Eleventh Tai Situ, Pema Wangchok Gyelpo
'jam dbyangs chos kyi rgyal mtshan
The Sixty-Fifth Ngor Khenchen, Dampa Rinpoche Ngawang Lodro Zhenpen Nyingpo
kun dga' bstan pa'i rgyal mtshan
The Fourth Lingla, Tubten Trinle Gyatso
The First Dzogchen Kongtrul, Konchok Tenpai Gyeltsen
The Fifth Zimwok, Jampa Kunga Tenzin
Druk Khenpo Ngawang Yonten Gyatso
The Third Dezhung, Kunga Tenpai Nyima
The First Dzigar Kongtrul, Lodro Rabpel
AUTHOR
Khenpo Shenga